10/30/2023 0 Comments Mussel shoals recording studio![]() In the coming years, everyone from Paul Simon to Cher to The Rolling Stones would make their way down to Muscle Shoals, recording at FAME, or the stone building at 3614 Jackson Highway that housed Muscle Shoals Sound Studios, a new space opened in 1969 - 'round the same time the One Percent changed their name to Lynyrd Skynyrd - by FAME’s primary session musicians, Johnson, Hawkins, keyboardist Barry Beckett and bassist David Hood (papa of Drive-By Truckers’ Patterson). Specifically: He means the funky slide and pluck of Jimmy Johnson’s guitar on Pickett’s “Land of One Thousand Dances,” or the pockets of space left by the tick-tack swing of Roger Hawkins’ drumming that Tommy Cogbill’s bass bounced into on Franklin’s “I Never Loved A Man (The Way I Love You).” “Music was in the air you breathed and the water you drank, coming at you so inexorably and naturally,” Wexler later wrote of Muscle Shoals in his autobiography, Rhythm and the Blues: A Life in American Music. It was so good, within months Wexler was bringing artists like Wilson Pickett and Aretha Franklin down to this Northern Alabama town on the Tennessee River and leaving with hits. ![]() He called up co-conspirator Ahmet Ertegün in Europe to declare he’d found the song he’d be playing all summer. Percy Sledge’s “When A Man Loves A Woman” floored the exec. In 1966 - ‘round the same time a few boys from Jacksonville formed a band called One Percent - Rick Hall, who owned and operated FAME Studios in Muscle Shoals, Alabama, sent Atlantic’s Jerry Wexler a track recorded by a handful of local players and a hospital orderly in the home studio of local radio DJ, Quin Ivy. ![]() “Now Muscle Shoals Has Got The Swampers”: A Brief Detour Through Northern Alabama, Pt.
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